A novel analysis of the oedipus trilogy

Throughout this mythic story of patricide and incest, Sophocles emphasizes the irony of a man determined to track down, expose, and punish an assassin, who turns out to be himself.

A novel analysis of the oedipus trilogy

Socrates, Plato, and Aristotle wrote and taught in Athens, and their ideas gave birth to Western philosophy. Here, too, democracy took root and flourished, with a government ruled entirely by and for its citizens.

A novel analysis of the oedipus trilogy

During the fifth century B. Its army and navy dominated the Aegean after the defeat of the Persians, and the tribute money offered to the conquering Athenians built the Acropolis, site of the Parthenon, as well as the public buildings that housed and glorified Athenian democracy.

The wealth of Athens also assured regular public art and entertainment, most notably the Festival of Dionysus, where Sophocles produced his tragedies.

In the fifth century, Athens had reached the height of its development, but Athenians were vulnerable, too. Their land, like most of Greece, was rocky and dry, yielding little food. Athenians often fought neighboring city-states for farmland or cattle.

Oedipus Rex

They sought to solve their agricultural problems by reaching outward to more fertile lands through their conquering army and navy forces. Military skill and luck kept Athens wealthy for a time, but the rival city-state Sparta pressed for dominance during the long Peloponnesian War B. By the end of the fifth century, Sparta had starved Athens into submission, and the power of the great city-state ended.

Greek Theater and Its Development Sophocles' Oedipus Trilogy forms part of a theater tradition that encompasses much more than just entertainment.

Oedipus the King

In fifth century B. For Athenians, theater served as an expression of public unity. Ancient Greek myth — the theme of most tragedies — not only touched members of the audience individually, but drew them together as well.

The dramatization of stories from a shared heritage helped to nurture and preserve a cultural identity through times of hardship and war.

But beyond its social and political importance, Greek drama also held a religious significance that made it a sacred art. Originally, the Greek theater tradition emerged from a long history of choral performance in celebration of the god Dionysus.

A novel analysis of the oedipus trilogy

The Festival of Dionysus — whose high point was a dramatic competition — served as a ritual to honor the god of wine and fertility and to ask his blessing on the land.

To attend the theater, then, was a religious duty and the responsibility of all pious citizens. Drama began, the Greeks say, when the writer and producer Thespis separated one man from the chorus and gave him some lines to speak by himself.

From then on, plays with actors and a chorus formed the basis of Greek dramatic performances. The actual theater itself was simple, yet imposing.

Actors performed in the open air, while the audience — perhaps 15, people — sat in seats built in rows on the side of a hill.

The stage was a bare floor with a wooden building called the skene behind it. The front of the skene might be painted to suggest the location of the action, but its most practical purpose was to offer a place where actors could make their entrances and exits.

In Greek theater, the actors were all male, playing both men and women in long robes with masks that depicted their characters. Their acting was stylized, with wide gestures and movements to represent emotion or reaction.

The most important quality for an actor was a strong, expressive voice because chanted poetry remained the focus of dramatic art.

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The simplicity of production emphasized what Greeks valued most about drama — poetic language, music, and evocative movement by the actors and chorus in telling the story.

Within this simple framework, dramatists found many opportunities for innovation and embellishment. Aeschylus, for example, introduced two actors, and used the chorus to reflect emotions and to serve as a bridge between the audience and the story.

Later, Sophocles introduced painted scenery, an addition that brought a touch of realism to the bare Greek stage. He also changed the music for the chorus, whose size swelled from twelve to fifteen members. Most important, perhaps, Sophocles increased the number of actors from two to three — a change that greatly increased the possibility for interaction and conflict between characters on stage.

The Oedipus Myth Like other dramatists of his time, Sophocles wrote his plays as theatrical interpretations of the well-known myths of Greek culture — an imaginative national history that grew through centuries.The three plays known as The Oedipus Trilogy can be studied separately or together, depending on the goals and ambitions of the class.

Using the following outlines, develop and write papers on one. Oedipus at Colonus, lines – Characters See a complete list of the characters in The Oedipus Plays and in-depth analyses of Oedipus, Antigone, Creon, and The Chorus. Oedipus the King unfolds as a murder mystery, a political thriller, and a psychological whodunit.

Throughout this mythic story of patricide and incest, Sophocles emphasizes the irony of a man determined to track down, expose, and punish an assassin, who turns out to be himself.

Oedipus the King is the mic drop of the tragedy world. It's the ur-tragedy, the great grandpappy, the worst of the worst of the worst.

It's still hard to . Novel Analysis of The Oedipus Trilogy Oedipus Rex, or Oedipus Tyrannus as it is in Latin, could be what we call today a Freudian work of literature. Oedipus is the protagonist and hero of this play and he's a king.

Plot Analysis Oedipus is aware that there is a curse on Thebes and has Creon gather insight into how to lift it These are the circumstances at the beginning of the play.

SparkNotes: The Oedipus Plays