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Don Pedro had vanquished his brother in battle. Now, reconciled, the brothers plan to visit Leonato before returning to their homeland.
On their arrival in Messina, young Claudio is immediately smitten by the lovely Hero, daughter of Leonato, the governor of Messina.
Don John tries to cause trouble by persuading Claudio that Don Pedro means to betray him and keep Hero for himself, but the villain is foiled in his plot and Claudio remains faithful to Don Pedro. Benedick, the other young follower of Don Pedro, is a confirmed and bitter bachelor who scorns all men willing to enter the married state.
These two constantly spar with one another, each trying to show intellectual supremacy over the other. Don Pedro, with the help of Hero, Claudio, and Leonato, undertakes the seemingly impossible task of bringing Benedick and Beatrice together in matrimony in the seven days before the marriage of Hero and Claudio.
Don John, thwarted in his first attempt to cause disharmony, forms another plot. With the help of a servant, he arranges to make it appear as if Hero is being unfaithful to Claudio. Don Pedro pursues his plan to persuade Benedick and Beatrice to stop quarreling and fall in love with each other.
When Benedick is close by, thinking himself unseen, Don Pedro, Claudio, and Leonato talk of their great sympathy for Beatrice, who loves Benedick but is unloved in return. The three tell one another of the love letters Beatrice had written to Benedick and had then torn up, and that Beatrice beats her breast and sobs over her unrequited love for Benedick.
At the same time, on occasions when Beatrice is nearby but apparently unseen, Hero and her maid tell each other that poor Benedick pines and sighs for the heartless Beatrice. The two unsuspecting young people decide not to let the other suffer.
Just as Benedick and Beatrice prepare to admit their love for each other, Don John is successful in his base plot to ruin Hero. Don Pedro and Claudio witness the apparent betrayal, and Claudio determines to allow Hero to arrive in church the next day still thinking herself beloved. Then, instead of marrying her, he will shame her before all the wedding guests.
All happens as Don John had hoped.
Before the priest and all the guests, Claudio calls Hero a wanton and forswears her love for all time. The poor girl protests her innocence, but to no avail. Claudio says that he had seen her foul act with his own eyes.
Hero swoons and lays as if dead, but Claudio and Don Pedro leave her with her father, who believes the story and wishes his daughter really dead in her shame.
The priest believes the girl guiltless, however, and he persuades Leonato to believe in her, too. The priest tells Leonato to let the world believe Hero dead while they work to prove her innocent. Benedick, also believing in her innocence, promises to help unravel the mystery.
Then, Beatrice tells Benedick of her love for him and asks him to kill Claudio and so prove his love for her. Benedick challenges Claudio to a duel.
Don John had fled the country after the successful outcome of his plot, but Benedick swears that he will find Don John and kill him as well as Claudio.
At last, Dogberry and the watch get to Leonato and tell their story. Leonato allows the two sorrowful men to continue to think Hero dead. In fact, they all attend her funeral.Like many of his comedies, William Shakespeare’s Much Ado About Nothing involves young couples getting together, or trying to get together, and .
Much Ado About Nothing constantly compares the social world—masquerade balls, witty banter, romance and courtship—with the military world.
War of wit and love are compared to real wars in a metaphor that extends through every part of the play. Benedick delivers this speech to Claudio and Don Pedro. Don Pedro has just quoted an old adage about even the wildest of people eventually calming down enough to submit to love and marriage, suggesting that in time even a savage bull will bear the yoke of a woman’s will.
Three-time Tony Award winner Kathleen Marshall (the Globe’s Love’s Labor’s Lost) makes her triumphant return as director to our Festival Theatre stage with one of the greatest romantic comedies ever, in a production full of colorful characters, passionate poetry, and Shakespeare’s wittiest wordplay.
Inside Much Ado About You.
Warning! In describing relations between characters, I may wreck a book for you by making it clear who someone marries, or the outcome of a book.
Benedick hates love, and he’s known for hating beauty. Beauty can’t move him to love, but perhaps some more meaningful trait in a girl (like how witty she is, and if she’s named Beatrice) could move him.